49th BCS Subjective (English) Exam 13 (উত্তরপত্র)

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60.00 Ques

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60.00 Marks

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40.00 Mins

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0.50 Neg

Total Question

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1.  

In “Ode to a Nightingale,” the poet wishes to escape from reality through—

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A

Wealth and Fame

B

Love and Marriage

C

Poetry and Imagination

D

War and Victory

English

John Keats (1795-1821)

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2.  

The nightingale’s song in the poem is described as—

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A

Short-lived and fragile

B

Eternal and immortal

C

Harsh and painful

D

Silent and weak

English

John Keats (1795-1821)

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3.  

Which feeling dominates Keats at the beginning of the poem?

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A

Joy and Celebration

B

Pain and Melancholy

C

Pride and Honor

D

Anger and Hatred

English

John Keats (1795-1821)

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4.  

What does Keats wish for to join the nightingale’s world?

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A

A chariot of fire

B

The wings of imagination

C

A magic sword

D

A crown of glory

English

John Keats (1795-1821)

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5.  

How does the poem end?

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A

With a hope of rebirth

B

With a celebration of love

C

With doubt between dream and reality

D

With acceptance of death

English

John Keats (1795-1821)

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6.  

Who is Psyche in Greek mythology, addressed in Keats’s ode?

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A

Goddess of Love

B

Goddess of Soul

C

Goddess of Wisdom

D

Goddess of War

English

John Keats (1795-1821)

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7.  

What is unique about Psyche compared to other deities, according to Keats?

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A

She has no temple or altar

B

She has the strongest weapon

C

She rules the sea

D

She is older than Zeus

English

John Keats (1795-1821)

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8.  

How does Keats decide to honor Psyche?

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A

By writing sacred hymns

B

By building a temple in his mind

C

By offering fruits and flowers

D

By arranging a festival

English

John Keats (1795-1821)

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9.  

Which imagery does Keats use to describe the secret love of Cupid and Psyche?

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A

They walk in a forest of gods

B

They lie in a deep secluded glade

C

They fly across the moon together

D

They dance in a palace of gold

English

John Keats (1795-1821)

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10.  

What is the central theme of “Ode to Psyche”?

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A

Power of imagination and inner worship

B

Fear of death and loss

C

Nature’s destructive force

D

War and patriotism

English

John Keats (1795-1821)

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11.  

At the beginning of the ode “Ode on Melancholy”, Keats feels—

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A

Drowsy and numb with pain

B

Excited and cheerful

C

Strong and energetic

D

Fearless and hopeful

English

John Keats (1795-1821)

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12.  

How does Keats imagine flying to the bird’s world?

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A

On the wings of love

B

On the chariot of Apollo

C

On the wings of angels

D

On the viewless wings of Poesy

English

John Keats (1795-1821)

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13.  

Why does Keats call the nightingale’s song immortal?

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A

Because it never changes its tune

B

Because it has been heard by all ages

C

Because gods gave it eternal life

D

Because it is written in books

English

John Keats (1795-1821)

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14.  

Which mythological river does Keats forbid going to in the poem, “Ode on Melancholy”?

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A

Styx

B

Lethe

C

Acheron

D

Cocytus

English

John Keats (1795-1821)

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15.  

“No, no, go not to Lethe”—this is an example of—

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A

Apostrophe

B

Alliteration

C

Hyperbole

D

Satire

English

John Keats (1795-1821)

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16.  

Which poisonous plant is mentioned in the poem “Ode on Melancholy”?

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A

Hemlock

B

Poppy

C

Wolf’s-bane

D

Belladonna

English

John Keats (1795-1821)

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17.  

According to Keats, what must one do to truly understand Melancholy?

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A

Escape into dreams

B

Embrace beauty and joy

C

Pray to gods

D

Forget worldly sorrows

English

John Keats (1795-1821)

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18.  

What is the central paradox of “Ode on Melancholy”?

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A

Beauty gives birth to sorrow

B

Pain and joy are separate

C

Death is eternal happiness

D

Melancholy destroys imagination

English

John Keats (1795-1821)

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19.   In the poem, Keats calls Psyche—

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A

“The queen of night”

B

“The latest-born and loveliest vision”

C

“The child of Apollo”

D

“The immortal bird”

English

John Keats (1795-1821)

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20.  

Which image does Keats use to describe Cupid and Psyche together?

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A

A king and queen on a throne

B

A sailor and the sea

C

A shepherd and his sheep

D

Lovers lying in a secret garden

English

John Keats (1795-1821)

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21.  

What role does imagination play in Keats’s plan for Psyche?

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A

It creates a palace of gold

B

It serves as a priest and temple

C

It destroys old gods

D

It hides pain of death

English

John Keats (1795-1821)

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22.  

“Yes, I will be thy priest, and build a fane / In some untrodden region of my mind”—here “fane” means—

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A

A battlefield

B

A crown

C

A temple

D

A song

English

John Keats (1795-1821)

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23.  

What tone dominates “Ode to Psyche”?

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A

Angry and satirical

B

Prayerful and devotional

C

Humorous and ironic

D

Bitter and hopeless

English

John Keats (1795-1821)

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24.  

In “Ode on Melancholy,” Keats advises not to seek relief in—

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A

Death and Oblivion

B

Poetry and Art

C

Love and Beauty

D

Nature and Joy

English

John Keats (1795-1821)

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25.  

The goddess Melancholy dwells closely with—

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A

Hatred and Despair

B

Beauty and Joy

C

War and Bloodshed

D

Death and Silence

English

John Keats (1795-1821)

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26.  

What does Keats forbid the sufferer of melancholy to use?

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A

Poison and deadly wolf’s-bane

B

Music and poetry

C

Flowers and perfumes

D

Dreams and visions

English

John Keats (1795-1821)

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27.  

According to the poem, where should one seek melancholy?

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A

In temples of gods

B

In flowers, beauty, and joy

C

In the battlefield

D

In deep caves and tombs

English

John Keats (1795-1821)

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28.  

What is the central paradox of the poem?

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A

Joy is stronger than death

B

Melancholy lives in beauty and pleasure

C

Life is endless and eternal

D

Death is a form of love

English

John Keats (1795-1821)

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29.  

In “To Autumn,” the season is called—

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A

 “The destroyer of life”

B

“The ruler of the cold wind”

C

“The close bosom-friend of the maturing sun”

D

“The queen of night”

English

John Keats (1795-1821)

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30.  

Which image shows abundance in the first stanza in “To Autumn?

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A

Bees buzzing around flowers

B

Crows flying in the sky

C

Thunderstorm in the valley

D

A shepherd with his sheep

English

John Keats (1795-1821)

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31.  

In the second stanza of “To Autumn?, Autumn is personified as—

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A

A farmer sleeping on the floor

B

A woman sitting carelessly

C

A hunter chasing birds

D

A child playing in the field

English

John Keats (1795-1821)

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32.  

Which sound is part of Autumn’s “music”?

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A

The cry of migrating swallows

B

The roar of lions

C

The whisper of fairies

D

The hammering of blacksmiths

English

John Keats (1795-1821)

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33.  

What is the central theme of “To Autumn”?

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A

The glory of war

B

The fear of winter

C

The celebration of harvest and maturity

D

The struggle of human life

English

John Keats (1795-1821)

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34.  

The Grecian Urn is called—

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A

“The voice of gods”

B

“Thou still unravish’d bride of quietness”

C

“The destroyer of time”

D

“The queen of art”

English

John Keats (1795-1821)

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35.  

Why are the lovers on the urn “happy”?

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A

Because they will soon marry

B

Because they have conquered a kingdom

C

Because they will never fade or die

D

Because they are blessed by gods

English

John Keats (1795-1821)

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36.  

The urn is a “Sylvan historian” because—

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A

It sings songs of the forest

B

It records the king’s laws

C

It tells silent stories through pictures

D

It describes gods and myths in words

English

John Keats (1795-1821)

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37.  

What famous line concludes the ode?

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A

“Love is eternal, life is fleeting”

B

“Truth is power, and beauty is glory”

C

“Beauty is truth, truth beauty,—that is all”

D

“Time shall destroy, but art shall remain”

English

John Keats (1795-1821)

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38.  

Why does Keats call the urn “foster-child of silence and slow time”?

Created: 2 days ago

A

Because it was made by gods

B

Because art outlives human life and history

C

Because it is forgotten in temples

D

Because it belongs to the night

English

John Keats (1795-1821)

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39.  

Which figure of speech is used in “Heard melodies are sweet, but those unheard / Are sweeter”?

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A

Paradox

B

Simile

C

Metaphor

D

Irony

English

John Keats (1795-1821)

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40.  

What scene of ritual is carved on the urn?

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A

A marriage festival

B

A village sacrifice to the gods

C

A war procession

D

A royal coronation

English

John Keats (1795-1821)

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41.  

Why will the trees on the urn “never be bare”?

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A

Because they are magical

B

Because they are painted in books

C

Because art preserves them forever

D

Because gods protect them

English

John Keats (1795-1821)

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42.  

What universal truth does the urn finally declare?

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A

“Beauty is truth, truth beauty,—that is all”

B

“Love is life, and life is short”

C

“Art is eternal, men are mortal”

D

“Time shall conquer all beauty”

English

John Keats (1795-1821)

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43.  

In “To Autumn,” what activity is described in the first stanza?

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A

Harvesting and ripening of fruits

B

Singing of birds at dawn

C

Children playing in fields

D

Priests offering sacrifice

English

John Keats (1795-1821)

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44.  

Autumn is personified in the second stanza as—

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A

A warrior with a sword

B

A farmer or harvester resting

C

A priest offering prayers

D

A child running in fields

English

John Keats (1795-1821)

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45.  

What sounds create the “music of Autumn” in the final stanza?

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A

Swallows twittering, gnats mourning, and lambs bleating

B

Lions roaring and wolves howling

C

Soldiers marching and drums beating

D

Priests chanting and bells ringing

English

John Keats (1795-1821)

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46.  

Which figure of speech is used in “Season of mists and mellow fruitfulness”?

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A

Simile

B

Metaphor

C

Personification

D

Alliteration

English

John Keats (1795-1821)

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47.  

What is the central theme of “To Autumn”?

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A

The power of imagination

B

The inevitability of death

C

The celebration of maturity and abundance

D

The cruelty of nature

English

John Keats (1795-1821)

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48.  

What is Hamlet’s famous soliloquy in Act 3, Scene 1?

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A

“O brave new world”

B

“To be, or not to be”

C

“All the world’s a stage”

D

“Out, out brief candle”

English

William Shakespeare (1564-1616)

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49.  

Who says the famous line, “We are such stuff / As dreams are made on” in “The Tempest”?

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A

Ariel

B

Caliban

C

Prospero

D

Ferdinand

English

William Shakespeare (1564-1616)

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50.  

Shelley compares the West Wind to—

Created: 2 days ago

A

A gentle mother

B

A destroyer and preserver

C

A silent shadow

D

A raging fire

English

Percy Bysshe Shelley (1792-1822)

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51.  

In Lilliput, Gulliver is seen as—

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A

A giant

B

A tiny dwarf

C

A god

D

A beast

English

Jonathan Swift (1667-1745)

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52.  

In Book IX of Paradise Lost, what form does Satan take to tempt Eve?

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A

A shining angel

B

A serpent

C

A lion

D

A dove

English

John Milton (1608-1674)

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53.  

What punishment does the Mariner face after killing the Albatross?

Created: 2 days ago

A

He is drowned

B

The crew hangs the bird around his neck

C

He is left on an island

D

He loses his voice forever

English

Samuel Taylor Coleridge (1772-1834)

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54.   How many miles of fertile ground were enclosed around Kubla Khan’s dome?

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A

Five miles

B

Twice five miles

C

Twice ten miles

D

Twenty miles

English

Samuel Taylor Coleridge (1772-1834)

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55.  

Wordsworth revisits Tintern Abbey after—

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A

Three years

B

Five years

C

Seven years

D

Ten years

English

William Wordsworth (1770-1850)

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56.  

Who poisons Othello’s mind against Desdemona?

Created: 2 days ago

A

Cassio

B

Brabantio

C

Iago

D

Roderigo

English

William Shakespeare (1564-1616)

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57.  

When was Shakespeare’s Macbeth first published?

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A

1597

B

1606

C

1623

D

1611

English

William Shakespeare (1564-1616)

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